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Professor Tracy Fullerton and Professor Chris Swain, researchers and teachers of game design at the School of Cinema-Television of the University of Southern California, ran a three-week intensive, hands-on game design course at CityU's School of Creative Media, to 7 July 2004.
CityU's School of Creative Media students produced a new 3D animation series, titled "Gee-Dor-Dor", for the Independent Commission Against Corruption, to promote positive values among children.
The "Writing Machine Collective" from 17 July to 7 August 2004 in 1a Space, Cattle Depot Artist Village, To Kwa Wan, Kowloon, showcases the works of new media artists from CityU's School of Creative Media.
"Creativity stems from inspiration. But where can we get inspiration?" asks Christine To, a third-year student in the School of Creative Media, and the youngest scriptwriter in the history of Hong Kong film.
After nearly a year of preparation, City University of Hong Kong will enter into an Academic Exchange Agreement with the Beijing Film Academy and the School of Cinema-Television of University of Southern California, 5 July. Following this first trilateral partnership, it is believed that more alliances in various disciplines are on the way.
From 2 to 12 July 2004 at CityU, "Medialogue: 7.04cm" features over 60 multimedia works by School of Creative Media graduates. An extension of the Show, "Medialogue PLUS @ Club X", jointly organized with LCX and Club X, takes place 16 July to 1 August, at Club X –LCX, Level 3, Ocean Terminal, Harbour City, Kowloon.
School of Creative Media postgraduate student members of the Readers Club, brainchild of SCM Professor Liu Zhi-Qiang, meet to hammer out ideas on philosophy, history, religion and cultural studies.
Some 40 staff from academic departments, administrative offices and the Senior Management spent a relaxing evening at the President’s residence on 10 June, openly exchanging views on the University’s latest challenges.
Documentary film is a dwindling art form in a world increasingly drowned out by Hollywood-style productions. How can a veteran Beijing director get a group of Hong Kong students hooked on the struggling art form?