Explore the Objects
KINETIC SCULPTURE AND RUBE GOLDBERG MACHINES
The beauty of the machine is most visible when its parts are seen in
motion, which is precisely what early-20th-century artists tried to do
in painting, sculpture, and film. This idea, however, can only be fully
realized when art itself becomes a mechanical device. This kind of
machine art can be described as kinetic art—art that embodies movement.
Kinetic artworks may have mechanical parts or not (mobiles), may be run
by a motor or a computer, and may respond to external, environmental
prompts.
The impact of the machine on everyday life also prompted wonderful
popular art, such as the whimsical machine drawings of the British
illustrator William Heath Robinson (1872-1944), and his American
counterpart, Rube Goldberg (1883-1970). Their fantastical, complicated,
improbable machines were designed to fulfil the most unlikely of tasks
and their ridiculously funny inventions lived on in the movies. More
recently, prompted by the internet, these pointless and engaging
inventions have proliferated in ever widely ramifying forms.
Jeffrey Shaw
The Spatial Pendulum, 1990/2020
Motorized metal construction, interactive
software application, computer, user interface
The installation was commissioned in 1990
for the Centrum Wiskunde & Informatica (CWI), Amsterdam,
but never completed. It was conceived as a large steel ball
suspended on motorized pulleys within the CWI atrium, with
the institute’s researchers having real time networked
control of its flight path. Now in 2020 the work has been
finally realized albeit on a smaller scale, with a new
engineering design by Joseph Chan, with application software
by Adolf Matthias, and public interaction.
Warren Leung
Untitled (book flying and crashing), 2020
Book, machine (reversible motor)
A book is flying in its orbit and crashes.
It starts over and crashes again.
Tobias Klein, Jane Prophet
Common Datum, 2020
Nylon (black), 3D print, glass, atmospheric
water generators, etched brass
Common Datum is an environmentally
reactive, hygroscopic sculpture. A series of suspended
vessels continuously absorb the humidity in the exhibition –
generated through the breath of the audience. Slowly each 3D
printed vessel, consisting of multiple intersecting volumes,
accumulates water. Even though all vessels are of individual
shapes, locally absorbing moisture at a different rate, a
common datum is created throughout, as all vessels are
interconnected.
Tobias Klein, Jane Prophet, and Pok Yin
Victor Leung
Blood Work 2.0, 2020
Nylon, 3D printed glass, suspension and Ferro
fluid
Blood Work 2.0 is a biologically
inspired, transparent kinetic sculpture filled with Ferro
fluid liquids contained in interlocking blown glass
structures supported by a gyroscope-like framework. Liquids
move as the sculpture shifts and spins, reacting to changes
in its position in space and magnetic fields.
Joseph Chan
Carnival, 2020
Mixed media
Carnival is an authentic Rube
Goldberg style installation, specially commissioned for this
exhibition, where the viewer can delight in tracing the
movement of the silver marbles through the pathways of a
machine. Here, the intricate motions of the marbles can be
appreciated for their own sake.
Louis Nixon
Rolling Barrel 2020, 2020
Super 8 film, monitor, lift
Rolling Barrel 2020 is an adapted
film version of a sculptural work. An Esso Oil barrel,
mechanised using a concealed computer-controlled motor
system, rolls continually across the gallery’s floor,
crashing into the walls on either side, gradually marking
the floors and walls. Rolling Barrell 2020 is made
from edited super 8 film of the original work, adapted to
the vertical space and motion of the Gallery lift, where it
rolls horizontally on a screen with the movement of the lift
and the repetitive opening and closing of its doors.
