Position:	Assistant Professor
Phone:	3442 5305
E-mail:	SKFYOUNG@cityu.edu.hk
Bldg Rm:	IC-SCM14
Personal URL:	http://www.samsonyoung.com

Ph.D. (Candidate), Music, Princeton University, USA M.F.A., Music, Princeton University, USA M.Phil., Music, University of Hong Kong, Hong Kong B.A., Majors in Music, Philosophy and Gender Studies, University of Sydney, Australia

My disciplinary training is in music and sound. But for more than a decade now, I have sought to combine my formal training in classical music, electro-acoustic music, and musique concrète with interests in new technology, site specificity, and moving images. By locating a point of convergence between these disparate artistic geographies, I have created a body of work that is at once strongly timed and highly ritualized, yet at the same time subversive of the default code of conduct that is inherit in the performative / exhibitory situations that these works engender. The use of technology and new media resources often play a crucial role in these acts of subversion. Within and beyond the concert stage, my creative output spans a wide range: from composition for symphony orchestra that features Nintendo Gameboy as a solo instrument – a work that received its premiere by the Hong Kong Sinfonietta at the 2009 Hong Kong Arts Festival; to headphone-mediated sound walk that utilizes text-to-speech technology to render highly-politicized texts into mumbling non-sense; to coin-operated amusement ride that is modified into an interactive peep show. Despite the variety of media in which my creative outputs manifest, they share a common strategy in juxtaposing childhood memorabilia and elements of play with intensely violent gestures, thus creating experiences of light-hearted darkness and densely perverted poetry. While a dedicated artist, I am also committed to scholarship, and my research and creative activities inform each other in fundamentally important ways. My research interests are interdisciplinary, with a focus on the history and politics of sound art and contemporary musical practices, China studies, cultural studies, critical theories, and the analysis of multimedia. My compositions, installations and multimedia works have been presented in such festival as the Sydney Springs International New Music Festival (Australia 2001) and Canberra International Music Festival (Australia 2008); Bowdoin International Music Festival (US 2004) and Bang on a Can Music Summer Music Festival (US 2005); Internationales Musikinstitut Darmstadt (Germany 2006); Dark Music Days (Iceland 2008); Microwave International New Media Arts Festival (HK 2004), October Contemporary (HK 2007), Le French May Arts Festival (HK 2009) and Hong Kong Arts Festival (2009). My concert music received performances by Hong Kong Sinfonietta, City Chamber Orchestra of Hong Kong, New Jersey Symphony Orchestra, Bang on a Can Summer Institute Fellows, the London NASH Ensemble, Network for New Music, New Millennium Ensemble, So Percussion, Sydney Song Company and Grenzenlos, among others.

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